STYLE: Painterly digital matte-painting animation, faceted low-poly brushstroke forms,…

STYLE: Painterly digital matte-painting animation, faceted low-poly brushstroke forms, flat angular color planes with visible palette-knife edges, muted desaturated palette — overcast grey-blue sky, pale salmon-pink creature flesh, dusty blue-grey armor, ochre mud — with deep crimson red as the ONLY saturated accent color. Cinematic wide-lens battle framing, heavy atmospheric haze, film grain, 24fps, no cel-shading, no anime linework, no 3D game-engine render. SUBJECT: @beast (matches input image 2 100%) — a colossal quadrupedal boar-demon with pale salmon-pink faceted hide, jagged dark spines running down its back, two large curved ivory tusks, a small black eye, blood-smeared snout and dripping jaws, moving with immense heavy mass. @army (matches input image 1 100%) — an ancient East-Asian army: a young armored commander with black bangs and an orange cloak riding a pale horse, flanked by rows of grey-lamellar infantry and cavalry in conical helmets carrying long spears, with tall crimson banners bearing a single bold white character. LOCATION: A vast open battlefield plain under a heavy overcast sky, churned brown mud, scattered spears and broken shields, distant ranks of soldiers fading into grey haze on the horizon. ACTION — the beast breaks a formation, takes a wound, and is left alone as the sole survivor: SHOT 1 (0:00–0:03) — Low ground-level angle: the beast charges from frame left across the muddy plain toward the massed army line, banners rippling on the ridge behind them. CUT. SHOT 2 (0:03–0:06) — The beast's head smashes into two cavalrymen on pale horses; both riders are hurled from their saddles, cloaks flaring. CUT. SHOT 3 (0:06–0:09) — Side profile: the beast tears through the infantry ranks, a crimson banner passing behind its spines. CUT. SHOT 4 (0:09–0:12) — Tight close-up: a spear thrusts in from frame right and buries into the beast's neck; blood runs down the faceted hide as it recoils. CUT. SHOT 5 (0:12–0:16) — The beast throws its head upward and flings a soldier high into the empty grey sky; the body tumbles small against the clouds. CUT. SHOT 6 (0:16–0:19) — Low insert: crushed shields and armor half-sunk in churned mud, a spear shaft snapping under weight. CUT. SHOT 7 (0:19–0:22) — The beast rears and roars beneath a huge crimson banner filling the upper frame. CUT. SHOT 8 (0:22–0:25) — Sudden silence. Slow wide shot of the aftermath: the plain scattered with fallen bodies, upright spears and abandoned banners, mist drifting low. CUT. SHOT 9 (0:25–0:28) — The beast rises from among the bodies in the middle distance, pushing itself upright on its front limbs, breath steaming. CUT. SHOT 10 (0:28–0:30) — Front-on close-up of the beast's face — tusks, wet snout, the small black eye — as it opens its jaws and roars directly into the lens. Hold. Cut to black. CAMERA: Locked-off low angles and slow lateral tracking for the charge; a rapid handheld push-in with shake for the spear impact; a static wide with a very slow forward creep for the aftermath; a slow low crane-up into the final face close-up. Shallow depth of field on all close inserts, distant ranks always soft in haze. AUDIO: Deep guttural beast breathing and roars, heavy hooves and body impacts in wet mud, snapping wood, distant shouting soldiers, banner cloth flapping in wind — then near-total silence with only low wind for the aftermath shot, broken by the final roar. Low sub-bass drone underneath. No music, no dialogue, no subtitles. CONSTRAINTS: 16:9 aspect ratio. The beast must match input image 2 100% and the soldiers, armor, horses and banners must match input image 1 100% — no identity drift across cuts. Keep the desaturated grey-blue and salmon-pink palette with crimson banners as the only saturated color; no bright colors, no orange fire, no glowing effects, no eye glow. Painterly faceted brushstroke rendering held in every frame — no photorealism, no 3D game-engine look, no cel-shaded anime style. Blood is stylized flat crimson shapes, not realistic gore. No slow-motion except the soldier thrown into the sky. No text, letters, logos or subtitles anywhere in frame except the single character already printed on the banners.